Review: What Happened by Hillary Clinton


What HappenedWhat Happened by Hillary Rodham Clinton
My rating: 5 of 5 stars

Disclosure: When I did one of those Facebook quizzes at the start of the election cycle, I came out 95% compatible with Bernie Sanders; 65% with Hillary. The truth is I agree with a lot of Bernie’s ideas but find him completely lacking in leadership and implementation skills, which is why I supported Hillary. I voted once for her husband; once against.

What Happened is a surprisingly good read; much more readable than either of Obama’s books. Contrary to the tweets of Hillary-haters and full-time misogynists, she does accept responsibility for her role in her “defeat,” but rightly points out the unprecedented obstacles she faced during this most bizarre election. People who only want one truth and one truth alone will be disappointed to learn that there were many reasons why Hillary was denied the White House; then again, people who want one and only one truth aren’t that very bright to begin with.

I’ve never understood the vituperation Hillary has inspired over the years; frankly, I always thought she was a bit on the dull side and didn’t find her all that controversial. She was a dedicated and effective public servant in both her senate and State Department roles, and her intelligence and dedication is clearly demonstrated throughout the book. I did notice a few blind spots—failure to problematize the impact of her status as a one-percenter had on her ability to connect with people, for example—but she is clearly aware of most of her limitations as a political figure. Compared to the complete lack of self-awareness on the part of the current occupant at 1600 Pennsylvania, Hillary is almost sage-like. I admire her courage for writing this book, knowing that she was going to have to face once again the mindless hostility of both the right and the left.

I’m giving this book five stars because it’s an important book that lays out the major issues we still have to deal with as a nation, regardless of who is president. Hillary Clinton deserved a lot better than she got from the American people, and I suppose the most amazing thing about this book is that she’s willing to forgive them for that. I’m not sure I would.

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Last Trip to Dodge


Captures so well how so many people are feeling


563d3efc1400002b003ca2e6From the Huffington Post

I won’t be writing any more reviews this year, but I do want to close the chapter on my first and last foray into American politics.

After renouncing my American citizenship the day after the election, some of my American friends contacted me and suggested that I had overreacted to a once-in-a-generation aberration and I would come to regret my decision.

Don’t think so!

I think my friends believed I was making an emotional decision because everyone was boiling over with emotion during the last weeks of the campaign. They forgot that I’m an intensely logical person skilled at playing out future scenarios. My Myers-Briggs profile (ENTJ) validates that orientation, and as things have turned out, the jobs I’ve held focused largely on the strategic-analytical side of business. My decision to forever abandon my homeland was based on cold, calculating logic.

Those still holding out for…

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Sunset at Safeco Field, June 7, 2016



Yes, Let’s Talk About “That Book”


Over the past six months I’ve done something that I’ve never done for any appreciable length of time since the early days of parenthood: I’ve sacrificed my needs for the needs of others. I have ignored my own advice that the key to happiness is balancing responsibility to self, others and the community and decided to let the attention to self fade into the background.

I have to admit that I probably needed to balance things out, and the universe provided me with a series of opportunities to put the me-me-me side of my personality on hold.

I actually feel pretty good about it. It’s kind of nice to know that the world isn’t dependent upon me for its survival, for we’d all be in deep shit if that were true.

The service I’ve performed on behalf of others took two forms. I occupied my days working in a nonprofit dedicated to helping homeless families and children. I spent my nights editing a book called Music Reviews with a Touch of Erotica for the author we know as the altrockchick. In the process I’ve put my own writing and music projects on hold. I haven’t picked up the guitar or fiddled with the piano since last Thanksgiving.

And I still feel pretty good about it.

My daily work at the nonprofit is often draining—helping the homeless is like pushing the boulder up the hill and never quite getting there. The boulder is made heavier by a combination of unfeeling, bureaucratic processes and an indifferent society. Victories are fleeting and the struggles to help people find housing, find a job, keep the housing and keep the job are never-ending. Often you end the day wondering if there’s anything you did that made even a marginal difference for a family, but you come back the next day and take another shot at the boulder.

I think what enabled me to recharge my batteries every night and most weekends was a combination of a supportive life-partner and the opportunity to edit the altrockchick’s entire body of work.

After finally convincing her that a book would be a worthwhile endeavor, we got down to business. Our working agreement was simple: total honesty and direct communication. We agreed to avoid couching our suggestions in the form of polite requests but state them as demands for action. We assumed that each of us had only the best intentions for the other, so we’d skip the niceties and get to the point.

I opened the partnership by telling her to reopen the website and her Twitter account to reestablish her public presence. I also told her she had to decide on a consistent presentation of her pen name, which I’d seen in multiple forms (The Alt Rock Chick, Alt Rock Chick and altrockchick). Validating her status as a millennial, she went with the latter because it was the quickest to type.

Our most contentious debate had to do with pricing. We knew we had to go the self-publishing route, with all its pluses and minuses, and one plus is the author gets to set the price instead of the publishing house. She wanted to give it away for nothing; I argued strenuously for at least $11.99/print, $11.99/paperback. Her stand was all about principles; mine was all about communicating the book’s value based on the quality of content. This was a role reversal of sorts, since she’s the international marketing expert and I’m the human resources/organizational development type. We never did reach agreement on that point, but other factors intervened to render the debate irrelevant.

When I asked her what she wanted out of the book, she put great emphasis on a continuous narrative, and said she’d need to write another twenty or so reviews to achieve that. Since she had posted about three hundred reviews over the years, I had plenty of material to edit, so we agreed that she’d focus on the new stuff and I’d tidy up the old stuff.

That took about six months—and I enjoyed every minute of it. While I had to look at each post with a critical eye, her writing was often so engaging that I had to read each post more than once to get past the pleasure bias.

I did note that her earliest reviews were generally not up to standard, and her reviews of contemporary music often felt like she was holding back, trying too hard to avoid damaging the artist’s ego. While her self-proclaimed image as a dominant woman in a BDSM relationship might lead one to believe otherwise, I’ve learned that she is highly sensitive to other people’s feelings. She admitted that she tended to soften her language when she found the work of an up-and-coming artist less than satisfactory. “Everything from St. Vincent onwards is the real me; anything before that is hit-and-miss.”

That was very helpful guidance, enabling me to narrow my focus. In the end I recommended that she cut about two-thirds of the contemporary reviews and rewrite all the classic reviews that came before Nevermind, the post where I think she first found her voice. That meant re-doing all The Beatles’ reviews, to which she reacted with a healthy “Oh, for fuck’s sake,” and then proceeded to write an absolutely brilliant and thorough review of Sgt. Pepper.

I made an agreement with myself to edit at least one review a day, no matter how busy I was at work or with the usual crap that comes with modern living. Often I’d do more simply because I was having such a good time.

And that’s how I screwed up the whole thing—by having a good time.

Because I was consuming the altrockchick in small bites (now there’s an image for you!), I didn’t give a second thought to considerations like word count and book length. Eventually I began assembling the book in chronological order, and one night I left off after pasting the edited reviews from 1962-1969 into the master document. When I opened the document the next day, I said to myself, “Geez, this taking an awful lot of time to load.” I scrolled down to the bottom, and saw that the master was well over 500 pages, so I thought I’d better check the word count.

200,000 words? Already? Your typical novel runs between 60,000 and 100,000. Then I looked at what else I had to add:

  • The Beatles (19 reviews)
  • The Stones (9 reviews)
  • The Kinks (15 reviews)
  • British Invasion (1 intro and 8 reviews)
  • Motown (1 intro and 4 reviews)
  • The Psychedelic Series (1 intro and 17 reviews)
  • Conversations: The Moody Blues (7 reviews)
  • Jethro Tull (10 reviews)
  • 1970’s (37 reviews)
  • The Clash (5 reviews)
  • 1980’s (9 reviews)
  • 1990’s (18 reviews)
  • Oasis (8 reviews)
  • 2000’s (9 reviews)
  • 2011-2014 (26 reviews)
  • Great Broads (1 intro, 21 reviews)
  • Jazz (1 intro, 9 reviews)
  • Blues (4 reviews)
  • Dad’s 45’s (5 reviews)

I knew I was licked, but in a stupor I went ahead and calculated the total word count, which came to 1,237,489 words, almost 2.5 times the length of War and Peace. It was time to Skype.

She’s already written about that conversation, but I’ll just say that it knocked us both for a loop. She decided to put the project on hold while she considers her options.

But you know what? I still feel good about it. I feel good even though it was all volunteer work and I know I could have picked up a few bucks teaching leadership and organizational development classes at night instead of editing a book that may never see print. I learned a lot, thought a lot, laughed a lot and gained some insight about my own musical biases. It was worth every minute and then some.

Two things she didn’t cover in her post are worth mentioning. The first was her response to a question I asked after lowering the boom about her prodigious output. I don’t have her photographic memory, but the gist of what I asked was, “Let me get this straight. During the four years you’ve been writing you’ve been working full-time—the only time off you took coincided with the blog shutdown. You’ve changed your residence twice, including a move to another continent. For a while you managed a European operation and spent a lot of time traveling. I know from our previous conversations, you have sex with your partner four or five times a week and those scenes are all-night sessions. How in the hell did you manage to write over a million words of mostly damned good stuff?”

I’ll do my best to paraphrase her response. “I don’t spend a lot of time in my life sitting around doing nothing—it sounds weird, but I need stimulation to relax. When I decide to do something that’s important to me, I get organized, focused, and then I don’t let anything get in my way. One thing that really helped me was integrating what was going on in my life with the music I was studying—I could write about the music and reflect on my life at the same time.” Now I see her looking at me raising one eyebrow and saying, “I’m very efficient, Robert,” then dropping the eyebrow and raising her hands to her face in semi-mock horror. “But a million words! It didn’t feel like that at all! I had no fucking idea! It’s obscene!”

As for the Skype call ARC mentioned in her post . . . what she failed to capture was how the moment unfolded from the viewer’s perspective, so here goes the cinematic version: When the connection kicked in, I saw a red garter strap over the bare skin of her upper right leg moving towards the center of the screen, then, as she began to ease into her chair, I saw the gleam of red patent leather surrounding her torso, followed by the reverse arc of a silver chain that led upwards to a pair of clamps attached to a pair of pink, firm nipples, culminating in a full breast shot highlighted by blonde hair caressing her shoulders and the upper edges of her breasts, and finally a beautiful and slightly wicked smile accompanying the words, “Looks like you’ve finally caught me at the right time!”

Look. I’m a pretty horny hetero male with a fairly sophisticated sex life of my own, but all I could do is stammer an apology, cut off the connection then close my eyes tightly and try with all my might to implant that picture in my mind forever.

I felt REALLY good about that moment.